Tucked away on the southern border of Arizona and Mexico, Organ Pipe Cactus National Monument is one of the least visited units of the National Park system. Yet this relatively small park has a wealth of subject matter for great photography.

It’s named for the stately succulents that are prominent south of the border, but can only found in this remote section of the United States. While not as iconic (or photographed) as the more prevalent saguaro, the organ pipe cactus has a graceful profile that photographs well against the expansive southwest skies and it’s rocky habitat.

Spring is an excellent time to visit with vibrant wildflower displays including poppy and brittlebush, and the occasional lightning storm that can provide a dramatic evening of entertainment and image making.

Mount Shuksan from Picture Lake, North Cascades National Park, Washington

In the perennial search for sure-fire ways to create compelling landscape photography it’s easy to overlook one of the simplest elements in the equation. Sometimes you just have to wait.

You’ve done your location research, you are proficient in the features and functions of your equipment, and you’ve selected a lens and composition that accurately expresses your vision. Now all you need is the light. When it’s a sunrise or sunset you’re after, it’s easy to calculate the time you need to arrive at your location and programs like The Photographers Ephemeris (www.photoephemeris.com) are an excellent resource. But weather is the great unknown that even meteorologists can’t predict with 100 percent accuracy.

The image above was made at one of the most popular and well-known locations in the US, and when I arrived I was surrounded by the anticipated number of photographers. But the mountain had been covered in clouds most of the morning and showed little promise of making an appearance. It was a long wait, and everyone else decided it was more time than they were willing to invest.

This was the only image I made that day as the weather rapidly deteriorated, but when the clouds parted for that brief moment my patience and preparation was rewarded. It doesn’t always work out this way, but as the saying goes - ”you’ll always miss 100 percent of the shots you never take”.

The southwest desert of the Colorado Plateau is one of the most sought-after locations for landscape photographers in North America and rightly so. With a higher concentration of jaw dropping parks than anywhere else in the US, you could spend the rest of your life here and still not see all of its wonders.

But winter brings a special element as the first snows blanket the red rock country giving its prominent features a fairytale look. This image made at Bryce Canyon National Park highlights its famous spires, called “hoodoos,” which are formed when ice and rainwater wear away the weak limestone that makes up the colorful Claron Formation. High on the Grand Staircase at an elevation of over 8,000 feet the air is especially cold and dry, and the park’s azure skies can often provide visibility up to 100 miles.

So if you’re thinking about a southwest road trip, consider the quieter winter months. With much fewer crowds and unique photo opportunities, you’ll be glad you did – just don’t forget the spare batteries and the cold weather gear.

(click image for larger view & details)

Rime ice on pine tree, San Bernardino National Forest, California

Dawn light on Mount Whitney from the Alabama Hills, Sequoia National Park, California

Crescent moon and dawn light over the Big Sur coast, California

Fall color and fresh snow at Lake Sabrina, Sierra Nevada Mountains, California

Sunset at Soberanes Point, Garrapata State Park, Big Sur, California

Barrel cactus in bloom, Anza-Borrego Desert State Park, California

 Backcountry skier in the Ansel Adams Wilderness, Sierra Nevada Mountains, California

Peninsular Bighorn Sheep, Anza-Borrego Desert State Park, California

The Eiffel Tower, Paris, France

Rime ice on pine cones and branches, San Bernardino National Forest, California

Thoreau’s famous words apply as much to successful landscape photography as life itself. Often when we first approach a classic scene we’re inclined to capture as much of it as possible in hopes that nothing is left out. Many times a wide angle view is the best perspective for those grand vistas, but it still must be carefully composed in order to guide the viewer’s eye through the frame. The problems arise when there is too much information and the image becomes cluttered and confusing. It’s time to go long and distill the elements down to their essence.

As with taking on too much in our lives and missing the forest for the trees, sometimes we need to simplify the scene to make it stronger. By carefully cropping out distracting elements and focusing on light and form we can create images with much more visual impact that connect with our audience on a higher level.

Kiva in the mission convento at Pecos Pueblo, Pecos National Historic Park, New Mexico

Nestled in the lower slopes of the Sangre de Cristo Mountains 25 miles southeast of Santa Fe, Pecos National Historic Park encompasses the remains of one of the largest and most influential Indian pueblos in the region. Long before Coronado and Spanish influence arrived in 1540, this pueblo village was the major confluence of trade between the people of the Rio Grande Valley and the hunting tribes of the buffalo plains.

The rich mixture of history and culture at Pecos also includes the Santa Fe Trail and the Civil War Battle ground at Glorieta Pass, where the Confederacy’s last hopes of taking the goldfields of Colorado and California vanished. Today the park is far enough from the interstate and the bustle of Santa Fe that the only sound is the wind whispering through its adobe walls like spirits from the past.  It’s easy to forget that for centuries this was a major crossroads of North America and with over 12, 000 years of history preserved, it really is one of the hidden gems of the National Park System.

Les Braves WWII D-day monument on Omaha Beach created by French sculptor Anilore Banon

TGIF – It’s easy to say after a long work week in which maybe things didn’t all go as planned, but we need to put things into perspective. Sixty-seven years ago on this now quiet beach along the coast of Normandy, France decisions were made that have provided us with the freedoms we continue to enjoy today. This monument on Omaha Beach, Les Braves created by French sculptor Anilore Banon, is a tribute to the soldiers who made such great sacrifices during the Allied invasion on D-Day to preserve our way of life.

On this Veteran’s Day I’m grateful to those who have given so much to allow me the opportunity to live and work as I choose. In honor of the day, the National Park Service has waived the entrance fee for all parks, monuments and historic sites in the country this weekend. So head out and exercise your freedom, and enjoy America’s Best Idea on the house!

Hiker looking down on the colorful Cedar Breaks Amphitheater, Cedar Breaks National Monument, Utah

There’s a popular climb at Joshua Tree called “Figures on a Landscape” that got me thinking about the connection between man and the environment. Not so much from an environmental standpoint (this could fill numerous posts), but photographically speaking. The climb is not long by Yosemite standards, but the lack of apparent holds on the colorful granite creates the illusion of climbers on a much larger stone palette.

Landscape photography can often portray the natural world in abstract even with the best intentions of  preserving its true form. It’s the nature of the beast – and that’s fine when you’re creating intentional abstracts or scale is irrelevant. Perspective control lenses and software can correct bending horizons and converging trees to create a more accurate representation if necessary, but there isn’t much else in nature that subscribes to our architectural way of thinking.

Now don’t get me wrong – that’s a good thing! Nature should be wild and chaotic and unpredictable, and in most cases that’s exactly what we’re hoping to capture. But there are times when this can also lead to confusion with our audience. When you’re trying to convey a sense of scale such as the immensity of the Grand Canyon or the vastness of the night sky the simple inclusion of a person in the frame can give your image an instant focal point and more importantly, a sense of perspective.

Chaco Culture National Historical Park in New Mexico is the largest concentration of ancient pueblos in the southwest. At its center, Chaco Canyon was a major cultural center of the Anasazi or Ancient Pueblo People between AD 900 and 1150, and contains the most impressive ancient ruins north of Mexico.

Situated high on the Colorado Plateau at over 6,000 feet, the Anasazi were skilled masons and built fifteen major structures at Chaco. Called Great Houses, they included the impressive 650 room Pueblo Bonito (a world heritage site) using stone and timber brought in on a network of roads from up to 15 miles away. They also practiced astronomy and experts believe their buildings were aligned to capture the solar and lunar cycles. Many of them remained the largest buildings in North America until the 19th century.

No one knows exactly why this powerful culture suddenly disappeared in the late 12th century, but they left behind a lasting legacy in stone.

The City of Refuge (or Pu’uhonua o Honaunau) is one of my favorite spots on the Big Island of Hawaii. This tranquil national historic park is tucked away on the Kona coast not far from the spot where Captain Cook became the first European to land on the Islands and later met his fate.

Today it is a quiet palm lined beach and lagoon perfect for snorkeling or photography, but in ancient Hawaii it was both a favorite residence of the high chiefs and a safe haven for defeated warriors and those who had broken the kapu (ancient laws). It is also a sanctuary for the endangered green sea turtles that feed in the shallow cove and frequent the sandy beach to rest.