Antelope Canyon on the Navajo Indian Reservation in Arizona is arguably the finest slot canyon in the American southwest and certainly one of the most photographed. Although beautiful to witness with the naked eye, these jewels of the desert really shine when a long exposure reveals the view our retinas can’t perceive – the subtle shades and hues of the sunlight as it plays on the wind and water sculpted sandstone. 

Unlike most landscape photography, which benefits from the warm light of dawn or dusk, slot canyons are best photographed mid-day when the greatest amount of light penetrates the steep and narrow canyon walls.  This image was made with a 24mm wide angle lens and a 30 second exposure - no artificial lighting was used.

One of the more curious natural phenomena is the occasional tendency for nature to mimic human form. Anthropomorphic images (meaning human characteristics in inanimate objects) can appear in rocks, plants and animals. Typically they appear only for a fleeting moment or from a unique perspective, but like finding an Easter egg they are a photographic treat.

This image of Lady in a Bathtub Butte in Valley of the Gods, Utah was taken late in the day to create a strong silhouette and emphasize the outline of the rock against the blue sky. The back-lit clouds added a nice balance to the whimsical scene.

After nearly 25 years the lava on Hawaii’s Big Island continues to flow from the Pu’u O’o vent on the flanks of Kilauea down into the Pacific Ocean. In the early 90’s I was there to witness the slow destruction of Kalapana and watched in amazement as they rolled the historic painted church down the road to safety, while the palms on the famous black sand beach went up in flames.

I’ve been back many times over the years and I’m always in awe of Pele’s powerful hand in shaping these Islands. Will Rogers once said “buy real estate, they don’t make it any more”, but clearly he had never been to this part of the world!

As a followup to my last post, The Wave is another gem of the southwest that’s a very popular destination with photographers, but also one of the most remote spots on the map. So remote in fact that on my first trip I failed to find it – even with a GPS! 

It’s a wonderful example of chaos theory applied to geology. Basically a petrified sand dune that’s been carved by the forces of wind and water over the ages, it’s easy to see how it got its name. I made this image a few years ago on my second trip to the area, which lies on the Arizona/Utah border southwest of Lake Powell. The image was taken with a 20mm wide angle lens to emphasize the dizzying curves and create a sense that the formation is much bigger than it really is.

I often say you could spend the rest of your life wandering around the remote corners southern Utah and still not see it all. The myriad of canyons and buttes are a feast for the eye (and lens) and are worthy of all the wilderness status we can give them. But invariably I do visit the more popular locations like Zion and Bryce where the challenge is to find those hidden gems amid the well-covered icons.

On a recent trip to Zion I made of point of getting a permit and hiking the better part of a day to a remote corner of the park along North Creek. After several miles of stream crossings and boulder hopping I arrived at The Subway – one of the jewels of the park. I spent several hours shooting this magical spot while the light continually changed as it played off the canyon walls and illuminated the stream and pools.