It always amazes me how fast the seasons seem to change this time of year. Feels like summer was just here and already fall is giving way to winter. By most accounts it was an unusual year for fall color with mother nature not quiet sure what she wanted to do in many parts of the country.  The Sierra Nevada provided another bounty for us in the west although not quite as dramatic as last year. I hope everyone got out to enjoy the colors in your local woods and maybe preserved a few visions of your own from this most colorful season.

As another Thanksgiving approaches I’m reminded of how much we have to be grateful for. In this often crazy world, nature provides a constant source of inspiration and renewal (photographically and in life), and is often as close as our own backyard. I’m looking forward to gathering with friends and family in the days ahead - then exploring the great, white wonderland of winter as soon as the snow starts to fall. Have a safe and fun holiday weekend everyone.

Fall color and fresh snow, Sierra Nevada Mountains, California (click to view larger)

Making great images of fall color obviously starts with the seasonal changing of the leaves. Where and how this happens is dependent upon elevation and temperature and no two years are ever the same. The higher mountains of the west begin in mid-September, eastern hardwoods in October, and the lower red-rock country of the southwest in early November. Once you’ve settled on a destination and found that great grove of trees the next step is to consider the light.

It might seem like the vibrant reds or yellows before you would be faithfully reproduced by your sensor no matter what time of day, but understanding the quality of the light can go along way towards guaranteeing your success. Using backlight or sidelight when the sun is low on the horizon and illuminates the leaves from behind creates a wonderful warm glow, especially when set against a dark background. Softlight is another great light source (illustrated above) that occurs when the sky is overcast and acts like a giant studio softbox. Under these conditions, it doesn’t matter what time of day you’re shooting as the shadows are eliminated and the uniform light both reduces the contrast while intensifying the colors.

So when the scene presents itself, consider the light and don’t be too quick to trip the shutter. A slight change in position or a little patience could make the difference between a good image and a great one.

Fall aspens at South Lake, Inyo National Forest, Sierra Nevada Mountains, California

It’s September 1st – the days are getting shorter, and there is a crispness in the air that definitely signals the close of summer. This is my favorite time of year when the crowds give way to the colors of fall, and the natural world seems to come alive once again with a riot of color.

It’s always hard to predict just when the peak of autumn will occur, and temperature changes play a large part in this. Higher elevations in the western mountains tend to peak late September to early October, the eastern hardwoods around mid-October, while desert canyons such as Zion typically show their full colors in early November.

Indications are that 2011 will be another big winter, which means the season may be cut short as early snows cause the leaves to turn brown or drop prematurely. But if your timing is right, you can have the best of both worlds with one season visually ushering in another.

Fall aspens along Bishop Creek, Sierra Nevada Mountains, California

The digital age has opened up a whole new realm of possible solutions from HDR (High Dynamic Range) to stitched panoramas, and filters have always been invaluable in controlling and shaping the light just as much in the digital realm as in the days of film.

With all of these techniques available it’s easy to lose focus, to put the cart before the horse so to speak, and attempt to “shoot for HDR” or push a filter to its limits. As with the constant temptation to buy the latest camera or software, we need to remember that it’s not about the gear or the technique, but the vision. That’s the essence of creative photography and yet often misplaced amid all of the many possibilities.

No matter what the future may bring our most important tool as photographers will always be our mind’s eye, and the equipment in our bag or on our desktop is just a means of  helping the viewer connect with what we felt emotionally when we made the image.

Autumn is one of my favorite times of year. Everything in the natural world is in a state of flux and the woods of both coasts are a patchwork of color. Mention fall color though and many people naturally think only of New England and its glowing maples, but the quaking aspen of the west are equally vibrant especially when back lit.

This image was made in the San Juan Mountains of Colorado shortly before an early snow fall blanketed the landscape. A 180mm lens compressed the scene across this narrow valley and emphasized the contrast of aspen and evergreens.